Created by Henri de Toulouse-Lautrec in 1895, La Troupe de Mademoiselle Églantine is a lively celebration of the cancan dancers who animated the café-concerts and music halls of fin-de-siècle Paris.
 
Across the upper half of the composition, four performers sweep from left to right in a coordinated line of raised skirts, black stockings and feathered hats. Their names—Églantine, Jane Avril, Cléopâtre and Gazelle—appear beneath the title, identifying the celebrated troupe promoted by the poster.
 
Toulouse-Lautrec reduces the dancers to a rhythmic sequence of curving outlines, lifted legs and billowing fabric. The repetition of black boots against pale dresses creates a strong visual beat, while the limited palette of warm yellow, red, grey and black gives the image the immediacy of a rapidly observed performance.
 
The figure at the far right is treated differently from the others, shown in a more static and concentrated pose. This contrast gives the composition balance while heightening the sense that the remaining dancers are moving together across the stage.
 
The original work is a three-colour lithograph from 1895, printed on machine-made wove paper and measuring approximately 62.1 × 80 cm. This restored reproduction has been carefully prepared to improve clarity, tonal balance and print presentation while preserving the lightly aged surface and spontaneous linework of the historic poster.
 
With its unusual horizontal format and energetic cabaret subject, La Troupe de Mademoiselle Églantine is especially well suited to a wide wall above a console, dining setting, home bar, music room or Parisian-inspired interior. The product gallery includes both the restored artwork and a styled mock-up showing how the print may appear when framed and displayed.